To view pictures in
this gallery you need the Flash Player. Get
Flash.
|
|
|
Angela helped six teachers build a body of their own artwork using the theme ‘Identity’ alongside their pupils. She also trained both teachers and children to run public workshops with her support, resulting in Stanford being the first school to run an interactive Artists' Open House. The workshops encouraged visitors to graffiti cardboard shapes, exploring similar techniques and ideas to the teachers and children. The cardboard pieces then slotted together to create a constantly evolving sculpture, which gave visitors the opportunity to contribute to the exhibition. The teachers commented on their own progress:
Rose Kigwana from Arts Council expressed her thoughts on the project:
Exhibition days were every Saturday throughout the festival, with the children and teachers running three workshops per day for hundreds of visitors.
Working as an artist in the community and as a consultant on various projects has taught Angela to communicate and collaborate with a wide audience, where versatility and flexibility is essential. Others comment on Angela's ability to inspire, enthuse and energise the community she works with, whilst exploring, researching and using her own initiative.
Angela lead a residency at Marsh Green Primary School, working across the school to improve the pupil’s creative skills. The children explored drawing, painting and sculpture through a range of media including clay and plaster. The result was an exhibition at the school where parents and the local community were invited to see the skills that the children had developed.
In collaboration with CSV and YPC, Angela initiated, devised and led a project combining art and digital media. This involved working with young people making films on mobile phones using collage, photographs, video and audio diaries and drawings. Sound was added in the form of poetry and spoken word, created by the young people.
Angela led a drawing to music workshop, specially adapted for children and young people with severe and complex learning difficulties. The students created pieces of artwork using their hands, vegetables and other medium inspired by listening to percussive instruments, music and sounds.
This involved talking to gallery visitors and documenting their thoughts about the exhibition using recordings, photographs and written diaries. Angela supported 'Second Sight' (an audio described tour of the exhibition for visually impaired adults), which helped her to understand the importance of involving the audience in the gallery environment, and by collating their thoughts and ideas, she helped them to engage with the work thus aiding learning.
Angela taught 14 and 15 year olds at this special needs school in Shoreham to make animal headdresses for a production of Hiawatha.
In conjunction with her 'Tuesday Was True Communication' exhibition, a body of work based on a suitcase of love letters that Angela found, this exhibition involved workshops with a school and the local community.
Collaborating with the museum's liaison officer and teachers from a primary school in Hackney, Angela led, conceived and organised clay and weaving workshops with year six pupils to create a piece of wall art. The project was based on the Roman Gods collection and was tailored to fit the National Curriculum framework. This challenged Angela to design a project which would appeal to young children yet also meet the schools and museum's criteria. The piece is permanently displayed at the Museum of London.
Angela devised and ran a variety of workshops based on a carved demon mask from the Brighton Museum collection with year six children at Carlton Hill. The sessions included touching the mask whilst blindfolded to encourage the discovery of the object without sight and working on 'musical chair drawings' to world music. When the music stopped, the children moved on to work on their classmates' picture. This stimulated the children to be less precious about their work, and enabled them to think of art as a team process rather than just an insular activity.
|