February - May 2009:
Creative Partnerships and Rye College, Rye

Discovering how carnival can enhance teaching and learning across the curriculum with Year 8.

 

December 2008 - April 2009:
NHS commission

Creating a suspended cardboard sculpture with mental health service users and carers at The Allen Centre, Hove.

 

November 2008 - March 2009:
Creative Partnerships and Cottesmore St. Mary’s RC Primary School, Brighton

Exploring how creativity can be used to extend mathematical enquiry skills with talented mathematicians in Year 5.

 

November 2008:
Phoenix Arts Association, Brighton

Experimenting with photography and markmaking with young people aged 11-16 using the Sarah Pickering photography exhibition and a trip to Hove fire station’s smoke chamber as inspiration.

 

August 2008:
Colwood Hospital, Haywards Heath, West Sussex

Photography project with young people resident at Colwood Hospital Mental Health Unit.

 

July 2008:
St Mary's School, Horam, East Sussex

Drawing and mark-making workshop at a specialist school for boys aged 11-16 with Behavioural, Social and Emotional problems to produce images scratched onto acetate using sandpaper, knitting needles, forks and scourer pads.

 

June - July 2008:
Marsh Green Primary School, Dagenham, Essex

Following on from her 2007 residency at the school, Angela returned to Marsh Green in the summer of 2008 and worked with children from years One and Six to create a mural for the playground.

 

January - May 2008:
Stanford Junior School, Brighton

Angela Carter was awarded over £11,000 from Arts Council England, South East to boost the confidence of junior school teachers.

The results of the five-month visual arts residency at Stanford Junior School, Brighton were exhibited in May during the Brighton Festival as part of the Fringe Festival and Artists' Open Houses.

 
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Angela helped six teachers build a body of their own artwork using the theme ‘Identity’ alongside their pupils. She also trained both teachers and children to run public workshops with her support, resulting in Stanford being the first school to run an interactive Artists' Open House.

The workshops encouraged visitors to graffiti cardboard shapes, exploring similar techniques and ideas to the teachers and children. The cardboard pieces then slotted together to create a constantly evolving sculpture, which gave visitors the opportunity to contribute to the exhibition.

The teachers commented on their own progress:

“This inspiring project has enabled us to explore with confidence the aspects of art and creativity which we can now share with the children.”

Rose Kigwana from Arts Council expressed her thoughts on the project:

“We know that arts and creativity play a vital role in young people's development and that, with the proper support, teachers can instil a passion for the arts that stays with that child for life. Angela's project is fantastic because it supports teachers to rediscover their creativity and then equips them with the confidence to pass on that inspiration to their young pupils.”

Exhibition days were every Saturday throughout the festival, with the children and teachers running three workshops per day for hundreds of visitors.

 

December 1999 - present date:
Same Sky Community Arts, Brighton.

Working as an artist in the community and as a consultant on various projects has taught Angela to communicate and collaborate with a wide audience, where versatility and flexibility is essential. Others comment on Angela's ability to inspire, enthuse and energise the community she works with, whilst exploring, researching and using her own initiative.

 

September - December 2007:
Marsh Green Primary School, Dagenham, Essex

Angela lead a residency at Marsh Green Primary School, working across the school to improve the pupil’s creative skills. The children explored drawing, painting and sculpture through a range of media including clay and plaster. The result was an exhibition at the school where parents and the local community were invited to see the skills that the children had developed.

"I think the children have gained and learned so much from the sessions. The work the children have produced is wonderful and I think if they didn't have a fondness for art before, they certainly do now."
Nicole Bell, Year 4 Teacher
,
Marsh Green Primary School

 

August 2007:
Community Service Volunteers and Young People's Centre, Brighton

In collaboration with CSV and YPC, Angela initiated, devised and led a project combining art and digital media. This involved working with young people making films on mobile phones using collage, photographs, video and audio diaries and drawings. Sound was added in the form of poetry and spoken word, created by the young people.

 

July 2007:
Downs View Special School, Brighton

Angela led a drawing to music workshop, specially adapted for children and young people with severe and complex learning difficulties. The students created pieces of artwork using their hands, vegetables and other medium inspired by listening to percussive instruments, music and sounds.

 

June 2005:
Roedean Independent Girls School, Brighton

Angela composed and ran a drawing workshop exploring mark-making to music at Roedean, with Coombe Road Primary School. After an initial meeting with the teachers to discuss ideas, she structured the activity to motivate both six
year olds and twelve year olds for a fun but challenging end of year collaboration.

 

April/May 2005:
Assistant to the Educator-In-Residence at Fabrica, Brighton.

This involved talking to gallery visitors and documenting their thoughts about the exhibition using recordings, photographs and written diaries. Angela supported 'Second Sight' (an audio described tour of the exhibition for visually impaired adults), which helped her to understand the importance of involving the audience in the gallery environment, and by collating their thoughts and ideas, she helped them to engage with the work thus aiding learning.

 

September 2004 - February 2005:
Herons Dale School, Shoreham

Angela taught 14 and 15 year olds at this special needs school in Shoreham to make animal headdresses for a production of Hiawatha.

"Thank you so much for coming in and giving us the benefit of your experience and artistic gifts.
You really are a very talented lady and I know the students - particularly Charlie - have really
benefited from the experience.
Thanks again for all your time -
it's been great working you."
Diane Robinson, Herons Dale School

 

April 24th - June 12th 2004:
Gillingham Gallery, Kent (Medway Galleries)

In conjunction with her 'Tuesday Was True Communication' exhibition, a body of work based on a suitcase of love letters that Angela found, this exhibition involved workshops with a school and the local community.

 

April 26th - May 31st 2003:
'Watch This Space' residency at Phoenix Gallery for the Brighton Festival

Angela developed her own work in the gallery space whilst interacting with the public to reveal the creative process. The aim of the residency was to broaden understanding, raise the awareness of the artist's role to a diverse audience and inform
and engage with the public. The idea of stepping into an artist's working environment attracted people into the gallery who would not normally visit.

 

October - December 2002:
Artist in Residence at the Museum of London

Collaborating with the museum's liaison officer and teachers from a primary school in Hackney, Angela led, conceived and organised clay and weaving workshops with year six pupils to create a piece of wall art. The project was based on the Roman Gods collection and was tailored to fit the National Curriculum framework. This challenged Angela to design a project which would appeal to young children yet also meet the schools and museum's criteria. The piece is permanently displayed at the Museum of London.

 

January 1999 - July 1999:
Carlton Hill Primary School, Brighton

Angela devised and ran a variety of workshops based on a carved demon mask from the Brighton Museum collection with year six children at Carlton Hill. The sessions included touching the mask whilst blindfolded to encourage the discovery of the object without sight and working on 'musical chair drawings' to world music. When the music stopped, the children moved on to work on their classmates' picture. This stimulated the children to be less precious about their work, and enabled them to think of art as a team process rather than just an insular activity.

"Year four and I would like to thank you enormously for all your time, enthusiasm and dedication.
You've offered them marvellous artistic opportunities which I'm sure they'll never forget."
Tamsen Beer, Carlton Hill School